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Friday, April 11, 2003
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| This presentation analyzes the events of 9/11 and American responses to it as an example of the hyperbolic hypermodern. Utilizing rhetorical history and theory, the speaker argues that late modernity conceives itself along the topos of limit vs. limitlessness, or self-doubt (apocalyptic fear) vs. hubris (boundless optimism). He argues that late modernity is a site for wild vacillations and deep polarizations that can be seen in such disparate artifacts as the verbal logos of Fortune 500 companies, the building of the World Trade Center, the actions of Al Queda, the Baghdad wars, and the proliferation of social and economic crises.
Presented by The Writing Program
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